12/21/2023 0 Comments Battman studiosPhotograph of the Mount Vernon Ladies’ Association, circa 1873, taken by Leet Brothers.Ī good start would be to abandon the term historic house museum and with it the physical and metaphorical velvet ropes it has come to imply. It is time to reconceptualize historic sites and embrace the Darwinian principle that survival requires adaptation. Inevitably, the roof will collapse, figuratively and literally. Places of local-as opposed to regional and national-relevance, may suffer lingering deaths if they do not adopt new methods and philosophies. Iconic places, like Mount Vernon, will always have a place in the museum landscape, but the majority of house museums are not destination sites. The cultural tourism model has failed most house museums. House museums are at their worst when they overemphasize the physical attributes of the site-its aesthetics and its collections, the “thingness” of the place-through rigid standards for historical preservation and collections care, carried out at the expense of the site’s educational and inspirational potential. House museums have overlooked the essence of these places as homes, precluding current relevance in favor of immutable stories and physical barriers. Yet for much of the public, a historic house museum connotes something at least partly negative: an old building filled with precious things carefully protected by velvet ropes and draconian guides, offering an experience that is alternately boring and fanciful, passive, and even off-putting. They inspire us to think about and act on those issues in our own lives and communities. They provide a forum and a place to connect historical, social, and cultural issues with contemporary counterparts. The follow-up in 1991 was an even BIGGER success.ĭC, then, had to get in on this action, as well, and so in 1992, DC cut a deal with Skybox, the same company that did Marvel's cards (they were called Impel when they did Marvel's first sets), for a DC Cosmic Cards trading card set that was just like Marvel's set.only with one hitch.Wheelwright House, Strawbery Banke MuseumĪt their best, historic sites and house museums provide meaningful and personal touchstones to the past. It took a similar approach to sports cards and it was a huge hit. Original art spotlighting the characters, stats, etc. Enjoy." Marvel changed the way the industry looked at non-sports cards, though, with their 1990 Marvel Universe trading card set. Even with that in mind, there was still a market for stuff like literally just "Here's a scene from a comic book on a card. There were a few comic book trading card sets before 1991, but they were pretty much the most slapdash stuff that you could imagine. In between 1989's Batman and 1992's Batman Returns, the non-sports trading card market sort of exploded. Hey, what can we say, it was a different time.Īnyhow, when Batman was released in theaters, the trading card set tying in with the movie was so popular that they did a SECOND series! Can you imagine that? People loved collecting moments from the movie so much that Topps needed to do another volume of it! People wanted to relive their love of the film by looking at still shots of scenes from the movie. Even when VHS tapes debuted, there were still enough of a market for people to want to recreate their enjoyment of a given movie that trading cards of the movie became big business. For instance, most of Gone With the Wind's box office over the years came from its re-release in theaters). There once was a time when once you saw a movie in the theater, you would have to wait for it to eventually show up on television to watch it again (or for it to be re-released in theaters, which used to happen a lot more often. Here's one of the most fascinating lesser known effects of widely available DVDs and streaming of movies.
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